In The Beginning: Survey of the Truth of Creation 5

ME 89326. (pictured here)

This title, ME 89326 is the name given to classify this ancient relic, dated 2300 BC. It is also known as the Temptation Seal, and is an impression of a carving off a cylindrical seal of the Akkadian Empire. The Akkadian Empire was an ancient Mesopotamian Civilization, spawned in and around the city the Bible calls Akkad.

This piece is currently held at the British History Museum and was discovered in 1846. As we continue our study on the truth of creation, we look to pieces such as this to verify that yes indeed, the Adam and Eve story was circulating within different cultures, as reflected here in the artwork of an ancient people who were not Hebrews.

Of course, a secular museum would not encourage such beliefs, being of the presupposition that the story is certainly not real, and that the beginning of the Bible is not true history. As we have seen, and will continue to see, evolutionary presupposition will dictate what must and must not be, including what an obvious piece like this cannot represent. The notes at the British Museum accompanying this relic state: “…the seal belongs to the well known Akkadian periods 2300 BC, the dated palm and the snake may have fertility significance, there is no reason to connect them to the Adam and Eve Story.”

The insistence that this is not the Adam and Eve story being depicted is quite telling. Notice that these forensic scientists don’t even allow for that possibility, and want visitors to know that they would be undoubtedly in error to assume such a thing, since the museum knows for sure that it just can’t be about that.

So let us look at the picture. The museum suggests that the figure is a man (left) seated in front of a god (right, with headdress), and that some offering is taking place. The plant offering is to worship divine fertility.

The problem: Historically in this period, neither male nor female worshipers are ever shown seated before a god. They are always shown standing with arms up, praising. Another important difference is the worshiper is always depicted smaller in size than the god being worshiped.

Now, if we look at it from a biblical perspective, we have the oral narrative of mankind’s beginnings, which must have been passed down to every and all people from Noah’s family of 8, up until the tower of Babel. Afterwards, oral, written, and artistic depictions of these same narratives, flood legends, creation, and the fall are recorded. In this case, in Mesopotamia, we have a simple enough depiction which was more than likely carved on a cylinder only 300-400 years after the flood took place.

Two human beings, a male and a female, of equal stature, and having a familiar relationship, sit across from one another to eat a fruit. They both eat of the fruit, and behind the woman, as if to tempt her, is a serpent. Further extrapolation might note that the tree is of great importance, central to the depiction, and has seven branches, the number of God and divinity.

It is hard to imagine the events of Adam and Eve being depicted more concisely then this.